Refusés reflects on how technological media can move beyond the mere reproduction of reality, becoming tools for new forms of perception and interpretation.

Following the spirit of the Impressionist movement, the work explores alternative ways of representing natural elements, transforming the machine from a passive instrument into a medium for personal experience.

Through interaction with a MIDI controller, the viewer reshapes the landscape according to individual gestures, creating a unique interpretation of reality. The technology becomes a mediator between the visible world and the observer, allowing the artwork to continuously evolve through each encounter.